'A Critical Analysis Of “The Send Off” By Wilfred Owen Essay\r'

'This essay in decenniumds to examine the song â€Å"The S shutting Off” by Wilfred Owen. Owen wrote this song part he was stati angiotensin-converting enzymed at Ripon army camp. He was base there after being a longanimous at the Craiglockhart War Hospital, this is where he met Robert Graves and Siegfried Sassoon. Owen was at Ripon between March and June, 1918 and died in action on the fourth of November 1918.\r\nâ€Å"The Send Off” is a poem or so some troops that have nonwithstanding come from a sending off solemnity before departing by train, presumably to the front songs of World state of war One. The poem has many report cards running through it. nearly of these be death, strangers, flowers, nearness and healing.\r\nThe poem opens with a precise claustrophobic first stemma â€\r\nâ€Å"down the coating, blackening lanes they interpret their way”\r\nThe words ‘down’, ‘close’ and ‘darkening’ provide the reviewer with a judgment of doom, claustrophobia and fear of uncertainty. The see to it of going ‘down’ provides the reader with the images of death, darkness, being buried, walking the trenches and going to hell. This opening line also provides a sooner prophetic image of people being sent to concentration camps, by train, in World War Two. Further intensify by ‘siding shed’. From the phrase â€Å"they sang their way2 there is an opposed feeling of happiness to the claustrophobia. However, the sing changes from happiness when the poem is read again and the a nonher(prenominal) themes ar considered.\r\nFlowers ar the next prominent theme displayed in this poem. They appear in line four, stanza one and line fifteen, stanza three.\r\nâ€Å"Their breasts were stuck all bloodless with wreath and dust\r\nAs men’s are, dead.”\r\nThe flowers are set forth as duster and in wreath form, the reader may imagine in this line that white lilies are associated with funerals. The language in this line gives the sentiment that the troops are covered in white flowers and that the flowers are ‘stuck’ to their ‘breasts’ as in a coffin. This is win enhanced by the abrupt end to this line ‘dead’. The impression is that the soldiers are predresseed for their own funerals.\r\nâ€Å"Nor there if they yet mock what women meant\r\nWho gave them flowers.”\r\nIn this line the poet is inquire if the women, who gave the troops the flowers, realise that the flowers are symbolising the humankind of the horrors and the almost certain death that these troops are going to face in the frontline.\r\nThe theme of funerals is picked up again in stanza two â€\r\nâ€Å"Dull porters watched them, and a casual tramp\r\nStood staring hard,”\r\nThe strangers, the porters, tramp, guard and women are all watching the troops, covered in flowers blemish from their army camp to the train stat ion. The troops, in deliberately, are predressed for their funeral and there are no apparent cheers or voices in the poem as they depart, they are expiration silently, secretly and this leaves the reader feeling that it is a funeral escort passing by and that the troops are experiencing forecast of doom and may well be resigned to their lot on the frontlines.\r\nâ€Å"They sang their way dimly frolicsome”\r\nfurther shows that the troops are resigned to their fate and are singing their way to almost certain death..\r\ninterestingly, there is a large amount of privateness passim this poem. It is first apparent in stanza three â€\r\nâ€Å"So secretly, like wrongs hushed-up, they went.”\r\nThis line makes the reader question why the troops are departing so secretly, then in line thirteen the phrase â€\r\nâ€Å"We never hear to which front these were sent.”\r\nShows that the troops and general public were non aware of where the troops would go to fight , or what the dead on target nature of the realities would be when they got to their destination and that the public were not made aware of these realities and truths, in fact it was secret from them. The secretiveness is also mentioned in stanza two, lines nine and ten â€\r\nâ€Å"Then unmoved, signals nodded, and a lamp\r\nWinked to the guard.”\r\nHere the theme of secretiveness is displayed through the imagery of the signals nodded and a lamp winked, the reader feels conspirative messages conveyed through Morse code.\r\nIn the last stanza the secretiveness theme appears again, but this time, it is linked with the return of the soldiers. This stanza implies that provided a some of these soldiers are likely to give out the war and return to their homes. However, they will ‘creep certify’ implies that the soldiers may not wish to return as heroes and may need to heal themselves both mentally and physically.\r\nIn conclusion â€Å"The Send Off” by Wilfred Owen starts off as a poem about a sending off ceremony towards the end of the war but in fact goes on much deeper to discuss the differences between what people at home perceive the war to be and the effective realities that the soldiers face at the frontlines. The last stanza hints at healing, and suggests that those few soldiers who do return may wish to do so silently, and not as heroes, and may not wish to discuss the realities and horrors that they have experienced. Thus, the title is rather ambiguous.\r\n'